31/03/2011 log - Every aspects of thriller

Today everyone inside the group basically acted upon the feedback, and translated that back into the thriller. Scott redesigned the live type, which consisted of him basically upgrading the old live type, and basically just decided go change the color, font design and possibly the place in which the titles appear. In addition we decided to change the words inside the titles such as rather outlining everyone roles, we instead made the titles similar to that of a normal film. By this i meant that they consists of the directors name and the actors.

Within this screen shot it shows The initial redesigning of the titles consisted of Scott trying to figure out a way by which we could use our original effects yet still making sure that it suits the genre and our overall plot.  He positioned the titles, and the "object" (tech effect) within the edge of the scene, and was deciding the proportions of both of them. In addition he wanted to insure that the "object wasn't dominant and more subtle, yet still capable of being unique and appealing.

Within this screen shot it shows the entire program used, and the structure of the the titles. In addition it shows that various layers of titles, and "objects" used. Furthermore it shows how Scott tried to play around with the fonts, one that would once again suit the genre of our film as well as the overall story plot.




One of the other thing we did today was the music, which was created by Muhidur. Initially our music was quite fast paced, and lacked any tension building areas. This meant that it didn't suit the pace portrayed inside them film, and so as a group we decided that it show change.

Within this screen shot it shows the new music which was a lot more tension building, and in rhythm with the entire film (despite the fact that it isn't finished) Furthermore in order to make the beat as perfect as possible he adjusted the volume accordingly to the thriller, and layers various beats upon each other to create a uniquely suspenseful sound. Furthermore the larger segments of music at the bottom of the print screen is  essentially just a close up the music, which just makes it easier for Muhidur to spot out problems.

This screen shot is merely further along the soundtrack, and essentially just shows the various layers of the track. Once again he is adjusting the volume and pitch of the soundtrack.






Another one of the thing we did was the editing, done by Paul. He practically added additional effects as well as continued the editing the rest of the movie.

Within this print screen it shows one of the color tint effects, and he essentially added tints in order to create a suspenseful, and more eerie mise en scene.